Blog Tour & #Giveaway: Toru: Wayfarer Returns by Stephanie R. Sorensen [Guest Post]

Posted January 31, 2017 by Lampshade Reader in Blog Tours, Excerpts, Giveaways, Guest Posts / 32 Comments

Blog Tour & #Giveaway: Toru: Wayfarer Returns by Stephanie R. Sorensen [Guest Post]

Welcome to the Blog Tour for Toru: Wayfarer Returns by Stephanie R. Sorensen! One randomly chosen winner via rafflecopter will win a $50 Amazon/ gift card. Follow the tour by clicking on the banner image above and comment; the more you comment, the better your chances of winning.


Toru: Wayfarer Returns

by Stephanie R. Sorensen

Genre: Historical Steampunk Fiction

Series: Sakura Steam #1

Purchase Links: Amazon B&N





A nation encircled by enemies

A noblewoman with everything to lose

A fisherman with everything to prove and a nation to save.

In Japan of 1852, the peace imposed by the Tokugawa Shoguns has lasted 250 years. Peace has turned to stagnation, however, as commoners grow impoverished and their lords restless. Swords rust. Martial values decay. Foreign barbarians circle the island nation’s closed borders like vultures.

Tōru, a shipwrecked young fisherman rescued by traders and taken to America, defies the Shogun’s ban on returning to Japan, determined to save his homeland from foreign invasion. Can he rouse his countrymen in time? Or will the cruel Shogun carry out his vow to execute all who set foot in Japan after traveling abroad? Armed only with his will, a few books, dirigible plans and dangerous ideas, Tōru must transform the Emperor’s realm before the Black Ships come.

Background of the book.

Alternate History and Finding Hinge Moments

“Tōru: Wayfarer Returns” evolved from several passions of mine: steampunk, history and Japan.

I live in a Victorian mining town where everyone dresses up in Victorian dress for local festivals, which led me to stumble across the Steampunk and Maker movements after searching online for dresses. (Here is one I made, with my airship as background.)

After plowing through a massive pile of steampunk novels, I wanted to write one of my own.

I very much admired how Cherie Priest had created a vaguely Civil War period to use as a backdrop for steampunk adventures in her Clockwork Century series. While taking massive liberties with history, she used location brilliantly to add atmosphere and depth to her stories, as in her settings in New Orleans and Seattle. I cracked up reading one of her Author Notes where she described outraged readers complaining that she used in her story buildings built twenty years after her time period and she’s like, “And you’re willing to overlook the zombie apocalypse?!?” Fiction, people, fiction! Anyway, I found her series very inspirational, from her characters to her use of atmosphere and the fun mixing of the fantastical with the adventurous with the zombie apocalypse and derring-do in dirigibles.

While noodling on her example, I realized that Victorian England and the American Wild West had been done to death in the steampunk books I had read. I needed a fresh geography, which led me to my core idea: Aha! A steampunkish alternate history! In Japan!

The Japan angle lit me up, for it connected deeply with a special time in my life. As a sixteen-year-old, I had gone to Japan as an exchange student. (Thank you, Rotary Club!) For a year I attended a Japanese high school and lived with several wonderful Japanese families. I went on to major in Economics and Asian studies, with minors in Japanese and physics, and returned to work in Japan for several years just out of school. I fell in love with Japan’s unique and profoundly different culture during those years. Where the rest of the world zigs, Japan zags. They do things their own way and I admire that.

So I had a genre (steampunk/alternate history), a setting (Japan). Now I needed a story. Enter my third love, for history. I dug into “steampunk era” Japanese history of the nineteenth century looking for a good “hinge moment” for my alternate history, the moment where, if things had gone differently, history might have changed dramatically. Imagine the world, for example, if the Nazis had fought off the Allied Normandy invasion, or the Anglo-Saxons had repelled the Norman invasion of England, or the South had won the Civil War. I quickly found the perfect moment—the arrival of the American Commodore Perry in Japan in 1853.

If you will permit me a brief historical note, Japan had been in self-imposed isolation for 250 years under the rule of the Tokugawa Shoguns when the Americans showed up in 1853. Fearing the influence of Western religion and weapons, the Tokugawa Shoguns had forbidden all contact with the outside world, and condemned to death anyone who traveled abroad and then returned to Japan. When Perry appeared off Japan’s coast, he found an agrarian, largely feudal society. Facing steamships and repeating rifles, the Japanese were powerless to resist and were forced to open to the despised barbarians, first the Americans and then the British, the Dutch and the Russians. This was a profoundly destabilizing event for the Japanese, and led, by 1868, to the overthrow of the Tokugawa regime and its replacement by a different set of elite lords in the name of the Emperor bent on modernizing Japan. The historian in me is fascinated by this 1853 to 1868 period, when Japan went through such far-reaching change. It was as major a transformation as that wrought by the French Revolution, or the American Revolution, or the American Civil War. To circle back to Cherie Priest, I decided this period would be the backdrop for my series, like the Civil War was for her series.

I also noted that Cherie Priest included a zombie apocalypse in her series. Very nice. Now, Japan doesn’t do much with zombies, but they have a rich and wonderful folklore about shapeshifters, so my original concept was to blend Japanese shapeshifters as a fantasy element in with the alternate history bits like she included her zombie armies. Once I began developing the story though, I was forced to let the shapeshifters go. They just didn’t fit into the steam-and-dirigible world I was building, and so with great regret I set them aside. I love that material though, and have notes for a “Sakura Shapeshifter” series.

During my dig through “steampunk era” Japanese history, I found additional inspiration in the story of Manjiro, a shipwrecked ship’s cook rescued by traders and taken to America in the 1840s. He eventually came back to Japan, and rather than being executed was taken to the Shogun and asked to tell the government about the Americans. They made him a samurai, and he helped somewhat with that meeting with Perry. He was not educated, though, and unable to guide the resistance effort. So my “what if” became “What if Japan had possessed the will and the technology to fight off Commodore Perry?” through the means of “What if an educated and astute person had deliberately brought that technology back to Japan to save his country in time to meet the foreign threat?” Also in the history books I found the perfect father for my hero, but I’ll leave that to readers to discover.

The story I created is true to the period, the time, the culture and the history up to that moment, and mixes both fictional and historical characters in the plot, while using the magic of steampunk technology, dirigibles and passionate leadership to change the course of history.

“Rather than argue with them, you should invite them to make the first flight with you,” said Takamori. “At first they will agree, since it is their place as the leaders. Everyone is very excited about the dirigibles. Set the time and place for the first flight. Jiro should explain that is not a good time because of the wind or something technical that needs testing first. You argue with Jiro and perhaps even scold him for impertinence in front of the daimyōs.”

“Yes, I am often scolded for impertinence,” said Jiro. “I have a talent for it, you know.”

“Indeed you do,” said Tōru. He saw where Takamori was going. “Then they notice the risks and uncertainties…and they ask me if it is safe. I tell them honestly that we have no idea if it is safe or if it will work, and that we might all crash to a fiery death and therefore perhaps I should test it first myself before we endanger them.”

“And I will be impertinent again and tell you in front of them that you don’t have a clue how to fly one of these dirijibi!” Jiro finished the plan for them. “Which is also true, by the way. I know how to fly one of these, and you don’t.”

“You’ve never flown one either,” protested Tōru.

“I have built one. Almost. Soon. How many have you built?” asked Jiro, with his broad grin.

Tōru opened his mouth and closed it again.

“See? Problem solved,” said Takamori, as he pounded Tōru on the back. “We have a fine dirijibi pilot, the finest dirijibi pilot in all of Japan, our good man Jiro here.”

About Stephanie R. Sorensen

Stephanie R. Sorensen is a writer based in the Victorian mining town of Leadville, Colorado, where she lives at 10,251 feet with her husband, five chickens, two bantam English game hens and one Cavalier King Charles Spaniel. After a former life in big cities-New York City, Tokyo, Hong Kong, Boston, Mexico City, Atlanta, Los Angeles and Santa Fe-she now enjoys the birdsong and quiet writing time she finds in Leadville. Her first novel draws on her experience living and working in Japan; her next historical novel is set in Mexico where she also lived for several years. As a Leadville local, she likes her Victorian attire spiced with a little neo-Victorian futurism and the biggest bustle possible.

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32 responses to “Blog Tour & #Giveaway: Toru: Wayfarer Returns by Stephanie R. Sorensen [Guest Post]

  1. Hey everyone,

    Just letting you know I am putting “Toru” on a $0.99 promotion through the end of the book tour. Amazon just went live with the new price, and I’m working on getting Nook, Kobo and iBooks up on the promotional price. I hope you’ll snag a copy while it is on promotion, read it, and if you like it, write a review!


  2. Thank you so much for hosting the tour for me! It’s my first book, so it’s really exciting to hear how readers respond to the story and ideas. As a writer, I fall in love with my characters and their world, and know I lose all objectivity, so it is great to hear others find it interesting too!

  3. Dianne Casey

    A new author to me. I’m not familiar with Steampunk so I think it would make for a fascinating read.

  4. danielle hammelef

    I’m starting to study Japanese and I love the culture. I would find reading a book set in a Japanese culture, even if fictional would be fun to read.

    • Danielle, I can help you with your study of Japanese!

      Stealing an idea from James Clavell’s “Shogun” (read it if you haven’t! I’ll turn you all into Japanophiles!) I included quite a few words right in the text, like “daimyo” for “lord” or “katana” for sword. I always included the English word right next to the Japanese in the text, or made the meaning very clear from context, so if your eyes roll around in your head when you see a foreign word (like my best friend and beta reader Laurel’s do), you can glide on by. But if you want to absorb a little Japanese along the way, you’ll pick up quite a few words.

      Even more than the words, I tried to be as true to the culture as possible, to show you an authentic picture of Japanese behaviors and customs. It’s a balancing act and takes some guesswork and judgment, and I’ll freely admit I know there may be different decisions possible about how to portray certain things. And my understanding of these things comes from living there in the 1980s and reading a lot of books about Japanese culture and anthropology, so how well that portrays 1850s samurai-era Japan…who knows. But I think you’ll find it’s helpful to you in understanding how Japanese people might think or behave, and how that can vary wildly depending on their gender, relationships, class, education and personality.

      I hope you’ll check it out!

  5. Wow Stephanie, I’m so impressed with your research and cool insights into steampunk. That’s one of my absolute favorite genres and you’ve done a great job talking about some of the best aspects.

    • Richard, I hope you’ll check out my story too! I imagine it as a film, and wrote quite a few scenes with the camera in mind, like when our heroes are climbing rope ladders up to a dirigible already in full flight to escape their enemies…

      I’m a Japanese film buff as well. A Japanese film maniac friend of mine recently gave an amazing impromptu lecture over dinner and wine on the influence of Kurosawa’s first feature, “Hidden Fortress,” on George Lucas and, of all things, the Star Wars series. And not just the influence of swords on light sabers…He talked about how Kurosawa told the story of great events through the eyes of the “little people” which is something I also instinctively reach for. Lucas echoed this in C-3PO and R2D2. (Hobbits in the “Lord of the Rings,” anyone?)

      In my story, I had to spend a lot of time among the lord-and-lady-and-Shogun fashionable set, to get the great events of history across, but my favorite characters are those “closer to the ground” like Jiro, the impertinent dirigible captain above. So I’ll blame the influence of Kurosawa, which at a subconscious level is probably even partly true!

      I’m editing the second book in the series now, and the commoner characters have really taken over, for it is their lives that are torn apart the most by the upheaval unleashed by the first story.

      Anyway, I hope you check it out.


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